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WEDNESDAY 18 OCTOBER 2017

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Musée de la Romanité, Nîmes, France

Tuesday 10 Oct 2017
 

The Musée de la Romanité shines in Nîmes

 
Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France
Serge Urvoy 
 
Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France Musée de la Romanité by Elizabeth de Portzamparc in Nîmes, France
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Elizabeth de Portzamparc has created the Musée de la Romanité in Nîmes which sets up a marked contrast with the neighbouring Roman amphitheatre’s stone arches 

The building that will house the Musée de la Romanité has completed in the city of Nîmes in France. Prior to the installation of its collections and its forthcoming 2018 opening, this building and its unique façade are being unveiled facing the Arenas of Nîmes (the Roman amphitheatre).

In the midst of Nîmes’s exceptional vestiges of antiquity, the architect Elizabeth de Portzamparc has set up a unique architectural dialog between this ancient heritage and contemporary architecture.

Facing the Arenas, the museum’s design imbues this major site of classical antiquity with a new dynamism and a sense of complementarity, ensuring its rightful place in the city’s history. The soft and horizontal undulations, the predominance of glass, the transparence and the lightness of the Musée de la Romanité contrast with the verticality of the Arenas’ stone arches and their imposing mass that has stood there for nearly two millennia. On one side, a large cylindrical volume surrounded by the stone verticals of the Roman arches, on the other a large square volume, which seems to be floating and entirely draped in a toga of pleated glass.

The façade of the Musée de la Romanité is designed to highlight the building’s lightness, heighten the floating sensation and create visual tension with the Arenas. It supports 6,708 glass strips covering a surface of 2,500 sq m. Each strip holds seven screen-printed square tiles. The museum’s collections directly inspired the design of the façade. The glass squares subtly evoke Roman mosaics, which are among the major pieces of the collections (e.g. mosaic of “Penthea”).

This work within a work and the kinetic effects of this unique façade accentuate the sensation of movement resulting in its constant metamorphosis as the day goes by and from one season to the next, creating a dialog with the city by reflecting its colors, the light and the surrounding city life.

The Musée de la Romanité, the city’s future 21st century heritage, is designed to blend with the universal values of Nîmes and built around its Roman monuments, restoring their role as anchors and points of reference for the city. It is part of a wider program of preservation and enhancement of the material and immaterial heritage of the City of Nîmes. The future museum will be a key element of a coherent cultural and holistic policy at the service of a tourism which is open to the world.

Nick Myall

News editor 

Key Facts

Client Musée de la Romanité
Status Complete
Value (m€)
Elizabeth de Portzamparc
 
UK Construction Week 2017
ECOWAN
 

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