The exhibition 'Geisha' takes visitors into the secret world of this highly controversial phenomenon and style icon from Japan’s elite culture
Previous collaborations between the National Museum of Ethnology in Leiden and Kossmann.dejong have led to award-winning exhibitions, including ‘The Story of the Totem Pole’ and ‘Longing for Mecca’. This successful collaboration continues with the exhibition ‘Geisha’, in which visitors encounter this highly controversial phenomenon and style icon from Japan’s elite culture.
For the exhibition ‘Geisha’, Kossmann.dejong has tried to find the right balance between the world renowned historical Japanese collection from the National Museum of Ethnology and the beautiful kimonos and objects on loan from a geisha house in Kyoto.Through a play with different perspectives and deploying interconnecting story layers, misunderstandings and prejudices around geisha are elucidated. The usually hidden world of geisha is made accessible to the public gradually by way of a measured presentation in which various elements are engaged with one by one. Two parts, one entity To convey the story of geisha in a coherent way, Kossmann.dejong has laid out the exhibition thematically.
Yoshifumi-san, the owner of a geisha house in Kyoto, introduces each room’s theme via a video screen. The first two rooms engage with geisha as icon, and her practice. Visitors see how we usually encounter geisha. A connecting corridor subsequently functions as a transition space: via a cherry blossom hedge visitors enter the second part of the exhibition, in which the focus is on ‘the making of’ geisha.
This is the world no one ever has access to. It is all about the endless training and dedication of young girls who want to enter into the profession. A women’s world full of seduction, mysticism and symbolism, kimonos, and above all a striving for absolute perfection. ‘Geisha’ is developed in collaboration with exhibition developer Floor Scholte and curator Prof. Dr. M. Forrer. The exhibition can be visited until 25 May 2015 at the National Museum of Ethnology in Leiden (Netherlands).