Monday 26 Jun 2017
Since ancient time, there have been two choices for the rich and established; to flaunt wealth and fame, or to keep modest and low-profile; which partly reveals one’s view of life. For the owner, an elder with great fortune and rich experience, the definition of “home” is more about a delicate balance, a tender atmosphere, and “a piece of pure land”.
Red, yellow and blue are the colours that win huge popularity for traditional royal favour. Instead of the more chosen red or yellow, designers deliberately set the spatial tone with blue, as its quiet elegance and deep sensibility perfectly convey the owner’s state of contentment, spiritually other than materially.
Widely used grey-level materials, such as exposed cement, grey-black veneer, together with colours of low-brightness and low chroma, are seen in the structural space, showing imperfect perfection and irregular order. Perfect or not, it completely depends on the standard in one's heart. So does the earthly troubles and the inmost peace.
The entrance is extended to the restaurant, where a large blue wall in the shape of Chinese characters forms uneven changes of shadeswith irregular layers of bumps in the lacquer surface. The partition wall is thickened symmetrically, which is not only the spatial division, but also the spiritual boundary, as if earthly life and pure land are separated by a line.
Technically speaking, the rationality of modernism is the main axis in the overall planning of space; while from the perspective of spiritual essence, it interprets "Zen" and "Wabi-Sabi" based on Confucianism, Taoism and Buddhism; where simplicity of Song Dynasty aesthetics is integrated in the treatment of details.
Habitation, should not just be the designer's arena, but the expression of habitants' deep inside.