World Architecture Day 2014

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Lille Museum Of Modern, Contemporary and Outsider Art, Lille, France 
Monday 06 Jun 2011
 
Et tu, Art Brut? 
 
 
 
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07/06/11 Mohsun Riaz, Lahore, Pakistan
I am Mohsun Riaz, a recent graduate of Architecture from the National College of Arts, Lahore, Pakistan. I have spent 2 years working and understanding the forces and influences a museum has upon its people and vice versa, with particular regard to the Existing Lahore Museum on the Mall Road. I would love to work in a real project of a museum to understand the real issues that arise when a museum's architectural solutions are being proposed and executed!

regards,
Mohsun
mohsun@gmail.com
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Award Entry

Refurbishment and extension of the existing Lille modern Art Museum in France 

This project concerns the refurbishment and the extension of the Lille Modern Art Museum in a magnificent park at Villeneuve d'Ascq. The existing building, designed by Roland Simounet in 1983, is already on the historic monuments list. The project aims at building up the museum as a continuous and fluid entity, this by adding new galleries dedicated to a collection of Art Brut works, from a travelling movement that extrapolates existing spaces.

A complete refurbishment of the existing building was next required, some parts were very worn. The architecture of the extension wraps around the north and east sides of the existing arrangement in a fan-splay of long, fluid and organic volumes. On one side, the fan ribs stretch in close folds to shelter a café-restaurant that opens to the central patio; on the other, the ribs are more widely spaced to form the five galleries for the Art Brut collection.

The Art Brut galleries maintain a strong link with the surrounding scenery, but they are also purpose-designed to suit the works that they house: atypical pieces, powerful works that you cannot just glance at in passing. The folds in these galleries make the space less rigid and more organic, so that visitors discover art works in a gradual movement. The architecture is partly introverted, to protect art works that are often fragile and that demand toned down half-light. At the extremity of the folds - meaning the galleries -a large bay opens magnificent views onto the surrounding parkland, adding breathing space to the visit itinerary. These views make up for the half-light in the galleries: the openwork screens in front of the bays mediate with strong light and parkland scenery, a feature that recalls Simounet's generous arrangements in the galleries that he designed.

Key Facts

Status Completed
Value 0(m€)
MANUELLE GAUTRAND ARCHITECTURE
www.manuelle-gautrand.com

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