World Architecture Day 2014

THURSDAY 17 APRIL 2014

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Burj Dubai, Dubai, United Arab Emirates 
Wednesday 13 May 2009
 
Inside the Burj 
 
 
 
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01/02/10 rashed, uk
congrajulation for burj dubi
01/02/10 kalifa, dubai
burj dubi is axuly burj kalifa because shake mohammed ibn rashed gave it as a present to shake kalifa
20/05/09 Roger Emmerson, Edinburgh
This project reveals all the uncomfortable and abstract accommodations that contemporary architecture makes as it nods briefly at local, regional or national identity. In this instance it reduces one of the glories of Islamic culture, its beautiful script, which features so prominently on traditional buildings, to a meaningless and miserable squiggle to be applied decoratively to floors and walls (imagine the significance of deconstructing Roman lettering and similarly applying it to a building in London or New York or Berlin). It is to be hoped no unforeseen and unfortunate message is contained in these doodles.
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Editorial

SOM designed interiors steam ahead within world's tallest building 

As the long anticipated climax at the construction site of The Burj Dubai edges closer, the innards of the world’s tallest building are evolving at an even faster rate. International architecture consultancy, Skidmore Owings & Merrill (SOM), announce that the interiors too will soon complete.

SOM are responsible for the design of the tower’s exterior and all lobbies, public and common spaces. A confluence of architectural and interior design influences from around the world and the Arabic region is expressed within the design.

“Burj Dubai’s interiors are mindful of the building’s prominent international address and its true purpose as home to a number of residents,” said Nada Andric, lead architect for the project,“while being inspired by the fascinating local culture and the challenge of enhancing the value of a global landmark.

“This unique approach is reflected in all aspects from careful planning of all the public areas, the subliminal reference to free flowing Arabic script, colours and materials and the implementation with an aim to showcase global technology and human achievement.”

Andric’s design approach was not to take literal, stereotypical translations for the region’s cultural influences but to turn to scholarship to develop the vocabulary inspired by the region’s history, culture understanding of the heritage of the Arabic world and its interpretation into spatial elements, the right choices of materials and a concerted effort to blend the traditional motifs and patterns with modernity.

Upon completion, Burj Dubai will be the tallest building in the world in all four categories recognised by the Council on Tall Buildings and Urban Habitat (CTBUH), which compiles and ranks the world’s tallest buildings. The tower, encompassing 160 inhabitable floors for residential, commercial, hotel, and entertainment facilities as well as the world largest shopping mall, topped off in January at 818m with little fanfare, the event barely reaching the press. The completion of the centerpiece of the US$20 billion Downtown Burj Dubai development in September this year is expected to be a much grander celebration.

Niki May Young
News Editor

Key Facts

Status Onsite
Value 0(m€)
Skidmore, Owings and Merrill
www.som.com

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