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Louise Roddon
Louise Roddon is an award-winning journalist, specialising in travel features. Her work appears in The Telegraph, The Times, The Sunday Times Magazine, The Daily Mail, The Express, Conde Nast Traveller and various other publications. A former art historian and art critic, she currently lives in Brighton.
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What happens when a building fails? Who is to blame - architect, or engineer? This is the potentially career-destroying keystone to Charles Bancroft’s thriller, “The Architect”. But though the blame dilemma, and tension build up inherent in an impending disaster are marrow to a meaty enough plot in its own right, in Bancroft’s hands, a bodged-up building assumes a relatively minor role.
Instead, he fleshes out this premise with a colourful romp through a highly dangerous underworld, peopled with Herculean Russians, scar-faced Syrians, mysterious beauties and dramatic punch-ups.
Bancroft’s hero is Rob Gilbert, a bumbling, libidinous, semi-alcoholic architect - hideous as a character on first introduction, but someone who eventually inspires a volte-face. Gilbert’s abuse of the drinks cabinet and his penchant for old fogey speech patterns - friends are greeted either as “my dear” or “old boy”, regardless of age or rank - become minor irritations as he elevates himself to an improbable but highly likeable hero.
Managing to charm and ensnare into his confidence, an attractive investigative journalist, a career-climbing police woman and a geeky, adolescent computer hacker, Gilbert attempts to expose the grimy money-laundering empire of a ruthless Russian gangster, and in doing so, saves his own teetering career, friendships, and indeed marriage.
“The Architect” is Bancroft’s first novel, and it is a true page turner. Taking us on a journey from trendy Farringdon to Beijing, Beirut, Paris and southern Spain’s Moorish hinterland, Bancroft peppers his story with plenty of red herrings and interesting cliff hangers - all conveyed in an easily accessible, cinematic style. |