WAN Awards 2018

FRIDAY 22 JUNE 2018

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UK architecture firms concerned over BREXIT

Lead News

 

As the UK’s exit from the European Union approaches several UK-based architecture firms are expressing their concerns

As the European Union (Withdrawal Bill) was voted through the UK House of Commons on 20 June, UK Prime Minister Theresa May said; "Today has been an important step in delivering the Brexit people voted for, a Brexit that gives Britain a brighter future, a Britain in control of its money, laws and borders." However, the UK’s approaching exit from the EU has created uncertainty amongst many architecture firms based in the UK with several identifying it is a major concern, particularly when it comes to attracting and retaining staff from outside the UK. The UK’s largest practice, Foster + Partners, has said it would even consider relocating its London HQ if Brexit meant it could no longer attract the world’s best architects. The firm has been actively lobbying the UK government behind the scenes on Brexit ever since the UK population voted to leave the EU. Foster +

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Zaha Hadid Architects get the greenlight in Russia

Zaha Hadid Architects get the greenlight in Russia

The 262,000 square metre Sberbank Technopark is set to become a cradle of IT innovation

Sberbank Technopark at the Skolkovo Innovation Centre in Moscow has been awarded planning permission, receiving the ‘State Expertise’ certification from the city’s planning authority for its innovative design that includes large communal spaces, atria and cantilevered facades. Designed by Zaha Hadid Architects, enabling works have now begun on the Sberbank Technopark site, with shortlisted contractors soon to be invited to tender for the project’s construction. Established in 1841, Sberbank is the market leader of the Russian banking and economic circulatory system. At the forefront of process innovations and social responsibility, over 70% of Russia’s population rely on Sberbank’s services. The 262,000 square metre Sberbank Technopark will become the bank's cradle of IT innovations, accommodating 17,000 people working in Sberbank’s information technology and marketing departments. “These are the people who will be responsible for all the bank’s ‘substance’ – its technical content, its brains,” explains Sberbank President German Gref. Home to the bank’s divisions that develop, implement and ensure the operation of process solutions and breakthrough technologies, Sberbank Technopark’s design evolved from detailed analysis of the varied work processes and arrangements within the bank’s technology and marketing departments. Technopark's design will encourage teams to collaborate and pilot innovations that deliver inventive, high-quality solutions and applications. Christos Passas, project director at Zaha Hadid Architects, said: “We are delighted to have received planning permission for this ambitious project. "The necessity to innovate and collaborate within the workplace environment is fundamental to Sberbank’s operations," continued Passas. "Technopark’s design reconfigures working relationships by adopting a holistic approach to create an inter-connected, multi-functional workplace ecology driven by the bank’s requirements for enhanced communication, interaction and diversification that promotes creativity and engagement.” Considered to be Russia’s Silicon Valley, Skolkovo is Moscow's new centre for the laboratories and campuses of Russia’s fast developing IT, biomedical, energy, nuclear and space innovations. Nick Myall News editor

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Kensington sparks into life...

Kensington sparks into life...

A unique and characterful mixed use building has been created by SPPARC at the heart of the Kensington Conservation Area in London

SPPARC has completed 145 Kensington Church Street, a 17,000 sq. ft mixed use development in the Royal Borough of Kensington and Chelsea. Featuring three floors of office space occupied by Savills, and four luxury residential apartments, this building draws its design inspiration from the unique candle-making heritage of the area. With this new signature building for joint developer Savills Investment Management and Unbranded Properties, SPPARC has bound together the old and the new and deftly navigated the tight constraints of a sensitive conservation area to create a unique and characterful building. Praised by planners as a cohesive addition to the townscape, SPPARC worked closely with the local authority to gain planning approval and to produce an exceptional mixed-use development with a dynamic façade, that compliments the character of the Conservation Area whilst being unapologetic about its modernity. Through a carefully crafted design that reflects on the traditional building hierarchy of the surrounding conservation area, SPPARC was able to successfully integrate a larger scaled building onto this prominent site. The residential apartments that occupy the second to fifth floors feature floor-to-ceiling openable windows and interiors finished with white-washed oak. A terrace situated on the rooftop serves one of the two lateral apartments, whilst the two duplex apartments are served by balcony spaces. The office space which fronts directly onto Kensington Church Street is served with bike storage and shower facilities at the basement level. The scheme design has been informed by the candle making heritage of this part of Kensington with the main façade resembling the candle creation process in which wax was heated in a dipping container. The specially developed precast panels contain a quartz aggregate that gives a shimmering effect to the façade. Trevor Morriss, Principal at SPPARC, said: 'we are delighted to have completed this prominent contemporary building within the heart of the Kensington Conservation Area.  The scheme balances matters of scale, material quality and functionality to achieve a building which has distinctive architecture whilst sensitively cohabiting with the surrounding heritage context' Following the completion of the building, apartments are now being sold and for sale. Nick Myall News editor

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C.F. Møller moves on up to the waterfront

C.F. Møller moves on up to the waterfront

The property developer Olav de Linde and C.F. Møller Architects have published plans for a 144-metre tall office building close to the Port of Aarhus

Across the world, former industrial port areas are becoming transformed into new city neighbourhoods, often with striking buildings and new recreational spaces for city residents.  Aarhus is no exception, considering the rapid development of its port area. The property developer Olav de Linde and C.F. Møller Architects have published plans for a new business tower at the address Mindet 6 in the Aarhus harbour district. Blending the old and the new Currently the site holds an existing industrial complex, a legacy of the port’s history and former industry. The impressive structure will be preserved and a new tower will become integrated into the existing complex. The tower’s basic geometry originates from the existing building, as it looks to unite both the new and the old in an urban and architectural context. The intrinsic historical qualities of the existing building will be enthusiastically retained, yet also reinterpreted to allow the building to open up more towards its surroundings, to create a greater connection between indoor and outdoor spaces. On the roof of the existing complex, a new, publicly accessible rooftop garden is included in the proposals, alongside a restaurant, orangery and kitchen garden. Olav de Linde, CEO and Owner of Byggeselskabet Olav de Linde, said: “It has been important for us to develop the old building and open it up, to create a vibrant new area in the port for all city residents. The project will create a new entrepreneurial and green environment in Aarhus, as part of the city’s new recreational belt stretching all the way from the port to Marselisborg Forest. In this way, we are combining the new and the old, the city and the landscape, and residents and business”.  Bright and Slender The tower itself is designed as a bright and slender sculptural landmark, contributing vertical green foyers to both the building users and city skyline. The façades are layered to create a spatial relief in light terrazzo, which is shaped to mirror the sun’s orientation.  The façade design focuses primarily on ensuring optimum daylight conditions, attractive views out and a healthy indoor climate.  With its three cantilevering vertical foyers, the building’s geometry is multi-oriented, with characterful and textural layering on multiple scales. The location’s potential, with its proximity to the city and the sea, favourable daylight conditions and natural outlook, forms an ideal backdrop for a very special atmosphere, ensuring a unique project that is clearly anchored in the site’s industrial history. Michael Kruse, Architect and Partner at C.F. Møller Architects, said: “Our idea and vision has been to create a bright and slender tower that is fully integrated with the existing structure on site. The building is oriented to all sides and, from 360  degrees, appears open and welcoming. This looks to appeal to both building users and city residents, by weaving the old and the new together, with ‘openness’ as the unifying thread. The high degree of public access will make the project a significant catalyst in combining both urban and professional activities”. Mindet 6 will thus constitute a significant future urban landmark for Aarhus.  Currently, the project has been submitted to the City of Aarhus’ planning department for consultation, and it is hoped that construction can commence in around 18 months’ time.

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IN BRIEF

Frank McGoldrick to lead Aedas’ operations in Europe

Aedas is pleased to announce that Global Design Principal Frank McGold

Right to Build Task Force announces five free days of support for organisations working to deliver new community-led housing

The Right to Build Task Force is offering five organisations up to fiv

Darling Associates expands northwards with the acquisition of specialist practice Architect-CT

Darling Associates, the multi award winning architectural studio, cele

EVENTS

26.05.2018 

Collateral event of 16th International Architecture Exhibition - La Biennale di Venezia 
La Biennale di Venezia - Hong Kong Exhibition 6 May – 25 November, 2018 

29.06.2018 

Immersive Technology in the Built Environment 
Immersive Technology in the Built Environment is a brand new conference loo 

Sea Lanes plans for Brighton unveiled

Sea Lanes plans for Brighton unveiled

Planning application submitted for much-anticipated seafront regeneration including outdoor heated swimming pool

A set of proposed plans will transform the former Peter Pan Playground site on Madeira Drive, Brighton, in the UK, by delving deep into the area’s history and culture and reviving competitive and recreational sea-swimming on Brighton Seafront. The vision for the national open water swimming centre starts with a 25m swimming pool and supporting commercial use. The pool, which will be accessible to all, will provide much needed swimming facilities in Brighton, and will act as a gateway for those looking to gain confidence to swim in the sea as well as a training hub for open water swimming events, triathlon, sea safety and lifeguard courses. The swimming pool will be supported by 39 small business units suitable for retail, health  and fitness, office space as well as a food court with street food kiosks and seating area. The plans also include a new purpose-built headquarters for the local business, SwimTrek, a leading adventure swimming holiday company and the winners of the 2017 Queens’ Award for Enterprise. From late June Sea Lanes Brighton Ltd will be running a pop-up on the site, where the plans for the proposed scheme will be on display for the public to view. The pop-up will also include swim coaching sessions in an endless pool, a pop-up sauna and an open-air events space with an exciting programme of events like silent yoga disco. Sea Lanes Brighton Ltd is an integral part of the Brighton and Hove community, made up of businesses and individuals that are passionate about open water swimming. They include: members of the Brighton Sea Swimming Club, Copsemill Properties, QED Sustainable Urban Developments and Swim Trek. Simon Murie, Managing Director, of Swim Trek, said: “Swim Trek is delighted to be part of the Sea Lanes project reigniting our sea swimming history; it is a wonderful opportunity to shine a light on open water swimming, the fastest growing sport in the UK and we look forward to having the team here. We believe the Sea Lanes development will bring back to the forefront the rich swimming history that made Brighton and Hove the destination for tourists in the 19th Century. “Using modular construction and meanwhile use, we will resurrect this much-loved part of the city and offer the local community and tourists a destination that captures the spirit of Brighton, past and present.” Rich Brett, creative director of We Like Today, the team behind the proposal design, explains “Drawing on Brighton’s rich and colourful history and dazzling disregard for conformity, Sea Lanes meanwhile scheme can help revitalise the present and shape the future of Madeira  Drive. Definitely and defiantly. This is the City with the natural edge.” Sea Lanes Brighton hope to secure planning permission in Winter 2018 and for the swimming pool to open in Spring 2019. The WAN Colour in Architecture Award 2018 is open for entries  Click here for more details or email wanawards@haymarket.com   Nick Myall News editor

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Glasgow School of Art devastated by fire

Glasgow School of Art devastated by fire

The Scottish Fire and Rescue Service incident commander at the scene of the Glasgow School of Art fire said the building was in a poor state

A massive fire has devastated Glasgow's famous art school building for the second time in four years. According to the BBC, firefighters were called to the celebrated Mackintosh building at about 23:20 on Friday 15th June. When they arrived the fire was already "well-developed". At one point 120 firefighters and 20 fire engines were at the scene. The firefighters used water from the nearby  River Clyde to tackle the blaze with fire crews  from as far away as Perth and West Lothian attending the scene. Fire service area manager David Young said the building was in a "poor state" with extensive damage to the roof, the floors and the interiors Scotland's First Minister Nicola Sturgeon said the fire was "heartbreaking" Ms Sturgeon said the damage was far worse than four years ago and the building was "just a shell" She promised the Scottish government would do all it could to help Fire chiefs said they could not say how or where the fire started Neighbouring buildings including the ABC music venue have also been damaged The fire is all the more devastating as it comes within weeks of the 150th anniversary of Charles Rennie Mackintosh’s birth and as celebrations were taking place to mark this event. Read WAN’s profile of Charles Rennie Mackintosh and his work here.   The WAN Awards Civic category is now open for entries  Click here for more details  or email wanawards@haymarket.com Nick Myall News editor

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Clifton Cathedral renovation completes

Clifton Cathedral renovation completes

Purcell has completed £3.1m of repairs on the 1970’s church since May 2015

Purcell, the architects, master planners and heritage consultants, has completed repairs to the Roman Catholic Cathedral Church of SS. Peter and Paul in Clifton, Bristol, in the UK, making Britain’s last major church building watertight for the first time. Purcell worked closely with the client, Clifton Diocese, to improve the internal environment while respecting the architecture of the brutalist structure, with detailed design proposals that harmonise with the richness of the iconic building. Purcell has completed £3.1m of repairs since May 2015, part-funded by £1.4m of grants from the World War 1 Centenary Cathedral Repairs Fund; the biggest beneficiary being the pitched roof which required 86 tons of replacement lead – the largest lead roofing project in Britain at the time. The Cathedral remained in use during the renovation process, hosting eight masses each week, numerous baptisms, weddings, funerals and special services. Purcell addressed the physical repairs that the building so desperately needed, but also focused attention on the internal conditions to provide better improved levels of comfort to the building’s users and visitors. A condition of the project’s funding was that it opened up parts of the building to the public that has previously been inaccessible: this includes full access to the gallery over the iconic baptistery; and re-opening of a staircase that had previously been sealed off. Clifford Martin, Partner at Purcell’s Bristol office, said: ‘Our conviction was for the building to become watertight, and safe and open for use, but also not to lose any of its rigour and quality as a superb exponent of the late brutalist era. The works have been undertaken with the intention to both repair and protect the building, and to magnify and celebrate its original design and detail. The Cathedral, in common with many buildings of its type and era, was built in difficult times. Our aim for the repairs projects was, at all times, to consider what the intent for its design and execution had been in order to remain true to the building’s principles.’ The work carried out by Purcell takes care to retain the brutalist building’s high-quality concrete aesthetic, which in many areas was distinctively board-marked with the coarse grain of Russian Redwood planks. The design and installation of new services keeps the Cathedral safe and open, preventing further deterioration to the building fabric and offers a long-term solution to the underlying problems of the original construction, making the building fully fit for purpose for both worshipers and visitors. Design Statement Originally constructed between 1969–73 to the designs of Ron Weeks of the Percy Thomas Partnership, Grade II* listed Clifton Cathedral was critically acclaimed for its serenity and simplicity, and the modest ‘theatre-like’ composition of its irregular, elongated hexagonal plan. However, the building was never fully watertight and, despite numerous attempts to resolve the problem, the leakages remained unresolved. 45 years of water ingress caused damage to the internal finishes as well as affecting the unseen structure and services. The practice worked closely with the Lead Sheet Association to ensure that rigorous standards were met while instigating minimum impact on the building’s historical aesthetic. Although the result is modestly different from the original roof, the quality of the leadwork will ensure its long-term survival. Leakage was also present in the Cathedral’s concrete cladding and Purcell’s research took the architects deep into the building’s archives in a move to comprehend, from the original drawings, the causes of the problems. This was followed by hands-on studies to understand the construction details of the concrete cladding, the composition of the joints behind the panels, and how each unit was reinforced. Appropriate repairs were undertaken to address spalling, using Corennie granite chippings matched from the original construction of the precast cladding panels. Internal human comfort factors were unmaintainable prior to Purcell’s intervention. The building’s glazing required an urgent update from double-glazed Georgian wired glass – some of which was slipping from its framing causing draught and leakage – to a self-cleaning thermally-broken system. Poor quality, low-illuminance artificial lighting was inadequate for modern-day requirements and difficult to replace safely. Lighting design consultancy Lighting Design and Technology designed a fully dimmable, ultra-bright LED system which maximises the potential of the original lighting plans which were never effectively realised. The building’s formerly-inefficient heating has been redesigned by M&E consultant Method in a custom-built plant room extension. The wiring has been replaced making the Cathedral properly fit for purpose and safe to use. The WAN Awards Civic category is now open for entries  Click here for more details  or email wanawards@haymarket.com Nick Myall News editor

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 Creating a spin at The Old Vinyl Factory

Creating a spin at The Old Vinyl Factory

The Boiler House, an innovative 54-home cross-laminated timber building designed by Studio Egret West in The Old Vinyl Factory regeneration project in Hayes, UK, has completed

Designed by Studio Egret West and built by Henry Construction, The Boiler House provides 54 stylish studio, one- and two-bed for-sale homes, with floor-to-ceiling windows, sleek kitchens and spacious balconies. The building’s distinctive stainless-steel shingle façade and bright orange staircase cover a cross-laminated timber structure – this provides a range of environmental and thermal benefits, as well as enabling an ultra-efficient construction process. The Boiler House also offers roof top allotments for residents to grow their own vegetables and plants. Two ground floor retail units are placed on either side of the bright and colorful entrance lobbies.     With prices starting from £270,000, many of the units at The Boiler House have been available through London Help to Buy. Located a short walk from the new Hayes & Harlington Elizabeth Line station, which will provide 20 minute journeys into central London, the homes have proven very popular with buyers, with over 80% sold prior to completion and only a handful now remaining. HUB and Bridges are jointly developing a number of lower-cost housing developments across Greater London, in line with Bridges’ focus on investing in emerging locations. Altogether the separate projects could deliver over 1,500 homes with a combined value of over £500m. The Boiler House is the first of these projects to reach completion. Steve Sanham, Managing Director at HUB said: “We’re really excited to complete this unique scheme in Hayes – a rapidly evolving and well-connected part of west London, and a great location to live and work. As the first for-sales homes to complete as part of the Old Vinyl Factory, this is also a real milestone for the wider regeneration site. The Boiler House is exactly what we aim to deliver with all of our schemes: environmentally responsible, attainable homes for local people, designed and finished to a high specification.”  Simon Ringer, Partner and Head of Property Funds at Bridges Fund Management, said: “London desperately needs more high-quality, lower-cost housing to meet the needs of its ever-growing population. The projects we are developing with HUB in underserved areas of London draw on the latest sustainable design and construction techniques. It is great to see the first of these innovative projects reach completion, and we look forward to welcoming the first residents into The Boiler House.” Lucas Lawrence, Director at Studio Egret West, said: “The Boiler House reflects the unusual form of the steam chimney that once served the EMI Factory, the birthplace of so much influential music. The cluster of tapered volumes use a metal cladding that is inspired by the original industrial structures along with a sustainable cross laminated timber structure that has broken new ground for this type of construction. We are delighted that this first residential building of the new neighbourhood is being so well received by the residents and thank HUB for their commitment to delivering such a high quality and distinctive building.” Led by U+I, the £250 million Old Vinyl Factory masterplan is a mixed-use regeneration project on the 17-acre former EMI site, which made records for a variety of big names in British Rock n’ Roll until the late 1970s. Once completed, the redevelopment will include up to 642 homes, 550,000 sq. ft. of commercial space, leisure facilities and extensive new public realm. The Old Vinyl Factory will also be home to HUB and Bridges’ Material Store – 189 PRS apartments for rent managed by Fizzy Living – which is due to be completed next month. The Modern House is the agent for The Boiler House. The WAN Residential Award 2018 is open for entries  Click here for more details or email wanawards@haymarket.com Nick Myall News editor

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 Let the games commence!

Let the games commence!

The centrepiece of the Russian World Cup has been lovingly restored and brought up to date

The 2018 World Cup is upon us, with the opening ceremony, several key matches and the final taking place at the Luzhniki Stadium in Moscow. The magnificent building has been refurbished by SPEECH architectural office and Mosinzhproekt. Luzhniki Stadium was designed and built in 1955-1956 under the supervision of architect Alexander Vlasov. In 1980 Luzhniki was the main arena for the Olympics. It has been closed for reconstruction since 2013. The key objectives of the reconstruction project made by SPEECH architectural office (Moscow) has been to preserve the stadium’s external appearance (the stadium’s historical wall and roof) as an icon of Russian sport and to fulfil all FIFA’s requirements with regard to floor areas and capacity. The task facing the planners and designers was to fit all the required functions into the existing geometry. The renewed Large Sports Arena now has a maximum capacity of 81 000, which is 3000 more than previously. Furthermore, prior to reconstruction, approximately 10% of seats in the stadium were in a zone where there were limited views of play. The stands have for this reason been replaced with two tiers raked at a steeper angle; additionally, there is a third tier consisting of 100 skyboxes. These changes mean that football fans now have a great view of the pitch from any point in the stands (including the bottom and top rows). There are also new comfortable VIP boxes with capacity for 1950 spectators. The stadium’s external appearance has also been lovingly preserved, including the colonnade girdling the stadium, the inside wall, and the shape and sculptural form of the roof. Behind the historical wall an internal street has been created; its main feature is eye-catching cascades of staircases, which serve as the main channel for spectators to get move around the stadium. The only new element on the façade is a frieze in the form of a broad metal strip on which images of symbols of various types of sport have been created using perforations. A 23-metre-high viewing platform is situated at the very top of the stands and will be open to all.  The WAN Sport in Architecture Award 2018 is open for entries  Click here for more details or email wanawards@haymarket.com Nick Myall News editor

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Morpheus opens its doors

Morpheus opens its doors

A new flagship hotel designed by Zaha Hadid Architects for the City of Dreams resort in Macau, opens Friday 15 June

Asia’s most popular entertainment destination, Macau welcomed more than 32 million tourists in 2017, with visitor numbers increasing every year. Located in Cotai, Macau, City of Dreams is a leading integrated resort including casino, two theatres, shopping district, 20 restaurants and four hotels. Informed by the fluid forms within China’s rich traditions of jade carving, the Morpheus’ design combines dramatic public spaces and generous guest rooms with innovative engineering and formal cohesion. Conceived as a vertical extrusion of its rectangular footprint, a series of voids is carved through its centre to create an urban window connecting the hotel’s interior communal spaces with the city and generating the sculptural forms that define the hotel’s public spaces. Linked at ground level with the surrounding three-storey podium of the City of Dreams resort, the Morpheus houses 770 guest rooms, suites and sky villas, and includes civic spaces, meeting and event facilities, gaming rooms, lobby atrium, restaurants, spa and rooftop pool, as well as extensive back-of-house areas and ancillary facilities. The design resolves the hotel’s many complex programmes within a single cohesive envelope.  Zaha Hadid Architects (ZHA) was commissioned to build the hotel in 2012. At that time, foundations were already in place of a condominium tower that did not progress. ZHA designed the Morpheus as a simple extrusion of the existing abandoned foundations; using this rectangular footprint to define a 40-storey building of two internal vertical circulation cores connected at podium and roof levels where the many guest amenities were required. This extrusion generated a monolithic block making best use its development envelope that is restricted to a 160m height by local planning codes. This block was then ‘carved’ with voids. The underlying diagram of the hotel’s design is a pair of towers connected at ground and roof levels. The central atrium in-between these towers runs the height of the hotel and is traversed by external voids that connect the north and south facades. These voids create the urban window that links the hotel’s interior communal spaces with the city. Three horizontal vortices generate the voids through the building and define the hotel’s dramatic internal public spaces; creating unique corner suites with spectacular views of both the atrium and the city. This arrangement maximises the number of hotel rooms with external views and guarantees an equal room distribution on either side of the building. In-between the free-form voids that traverse the atrium, a series of bridges create unique spaces for the hotel’s restaurants, bars and guest lounges by renowned chefs including Alain Ducasse and Pierre Hermé. The atrium's twelve glass elevators provide guests with remarkable views of the hotel’s interior and exterior as they travel between the voids of the building. As one of the world's leading hotels, the Morpheus' interior spaces necessitated a high degree of adaptability to accommodate the many varying requirements of its guest amenities. The building’s exoskeleton optimizes the interiors by creating spaces that are uninterrupted by supporting walls or columns. The world’s first free-form high-rise exoskeleton, its rich pattern of structural members at lower levels progresses upwards to a less dense grid of lighter members at its summit. Morpheus draws on a ZHA’s 40 years of research into the integration of interior and exterior, civic and private, solid and void, Cartesian and Einsteinian. Space is woven within structure to tie disparate programmes together and constantly make connections. Viviana Muscettola, ZHA's project director explains, "Morpheus combines its optimal arrangement with structural integrity and sculptural form. The design is intriguing as it makes no reference to traditional architectural typologies. "Macau’s buildings have previously referenced architecture styles from around the world. Morpheus has evolved from its unique environment and site conditions as a new architecture expressly of this city. "The expertise of all members of the Morpheus team has created new possibilities for architecture," continued Muscettola. "The comprehensive parametric model combined all of the hotel's aesthetic, structural and fabrication requirements and will radically change how our built environment is planned and constructed.” Lawrence Ho, chairman and CEO of Melco Resorts said, “From the very beginning, we shared ZHA’s vision and determination to push boundaries. Morpheus offers a journey of the imagination. From the curved exterior to the dramatic interior spaces, it pleases the eye and excites the senses: a contemporary masterpiece to be enjoyed by many generations to come.” The WAN Awards Tall Buildings category is now open for entries  Click here for more details  or email wanawards@haymarket.com Nick Myall News editor

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